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	<title>Comments on: More</title>
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	<lastBuildDate>Tue, 11 May 2010 07:32:25 +0000</lastBuildDate>
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		<title>By: Jason Tiller</title>
		<link>http://www.phifermarshallband.com/484-more.html#comment-467</link>
		<dc:creator>Jason Tiller</dc:creator>
		<pubDate>Tue, 11 May 2010 02:00:56 +0000</pubDate>
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		<description>The Raleigh Ringers (RRs) released two CDs before this double-helping came along.  Those CDs are good and show a talented, developing ensemble; &quot;More&quot; shows what they&#039;ve become.
&lt;br /&gt;
&lt;br /&gt;The most immediate impression is that the recorded sound has finally lived up to the vitality and energy of the music - &quot;The RRs&quot; and &quot;Impressions of the Season&quot; were thin by comparison.  &quot;More&quot; is expansive and enveloping, much easier to listen to.
&lt;br /&gt;
&lt;br /&gt;The music is also engaging and adventuresome.  &quot;Russian Sailors&quot; is something you must hear to believe.  The RRs get something that most bell groups can only dream of: *real* *bass*.  The Rimsky-Korsakov and the Rachmaninoff (&quot;Prelude in c#&quot;) use this extended range beautifully.  The &quot;Finale&quot; from Firebird is an impressive piece, and no other ensemble currently playing could touch it, but it lacks the visceral impact that Stravinsky&#039;s massive orchestra imparts.
&lt;br /&gt;
&lt;br /&gt;The RRs are well-known for their continuing relationships with handbell composers, including Jergensen (&quot;Puer Natus Est&quot;), McChesney (&quot;Tempest&quot;), Helman (&quot;Nocturne No. 2&quot;), and Buckwalter (&quot;Prayer for Healing&quot;), and this recording is no exception.  A special treat is a restoration of Payn&#039;s classic &quot;Nova,&quot; with the publisher-stripped (&quot;It&#039;s too long, Bill.&quot;) middle section restored to create his familiar A-B-A arch, which also shows up in the more recent &quot;Pinnacle.&quot;
&lt;br /&gt;
&lt;br /&gt;It wouldn&#039;t be a RR performance without a few marches, here &quot;Barnum and Bailey&#039;s Favorite&quot; and &quot;Stars and Stripes Forever,&quot; and, of course, their signature rock tunes (anybody notice that &quot;Raleigh Ringers&quot; and &quot;Rock &#039;n&#039; Roll&quot; both share an acronym?).  Would you have thought to hear The Who on bells?  Well, the RRs have &quot;Pinball Wizard.&quot;  How about Kansas?  Yup, they&#039;ve got &quot;Carry on Wayward Son.&quot;  In general, the arrangements are crisp and well translated.  Being pretty much oblivious to the pop music scene, I found most of these to be fun, but not particularly attention-grabbing.  Maybe if I could conjure fond memories of youthful rebellion to accompany these pieces, they&#039;d stir me.  To each his own!
&lt;br /&gt;
&lt;br /&gt;Overall, this is a great disc for handbell enthusiasts and those who haven&#039;t yet caught the bug.  Better watch out, though - after a slice of the RRs, you&#039;ll probably find yourself wanting... &quot;More.&quot;
Rating: 5 / 5</description>
		<content:encoded><![CDATA[<p>The Raleigh Ringers (RRs) released two CDs before this double-helping came along.  Those CDs are good and show a talented, developing ensemble; &#8220;More&#8221; shows what they&#8217;ve become.</p>
<p>The most immediate impression is that the recorded sound has finally lived up to the vitality and energy of the music &#8211; &#8220;The RRs&#8221; and &#8220;Impressions of the Season&#8221; were thin by comparison.  &#8220;More&#8221; is expansive and enveloping, much easier to listen to.</p>
<p>The music is also engaging and adventuresome.  &#8220;Russian Sailors&#8221; is something you must hear to believe.  The RRs get something that most bell groups can only dream of: *real* *bass*.  The Rimsky-Korsakov and the Rachmaninoff (&#8220;Prelude in c#&#8221;) use this extended range beautifully.  The &#8220;Finale&#8221; from Firebird is an impressive piece, and no other ensemble currently playing could touch it, but it lacks the visceral impact that Stravinsky&#8217;s massive orchestra imparts.</p>
<p>The RRs are well-known for their continuing relationships with handbell composers, including Jergensen (&#8220;Puer Natus Est&#8221;), McChesney (&#8220;Tempest&#8221;), Helman (&#8220;Nocturne No. 2&#8243;), and Buckwalter (&#8220;Prayer for Healing&#8221;), and this recording is no exception.  A special treat is a restoration of Payn&#8217;s classic &#8220;Nova,&#8221; with the publisher-stripped (&#8220;It&#8217;s too long, Bill.&#8221;) middle section restored to create his familiar A-B-A arch, which also shows up in the more recent &#8220;Pinnacle.&#8221;</p>
<p>It wouldn&#8217;t be a RR performance without a few marches, here &#8220;Barnum and Bailey&#8217;s Favorite&#8221; and &#8220;Stars and Stripes Forever,&#8221; and, of course, their signature rock tunes (anybody notice that &#8220;Raleigh Ringers&#8221; and &#8220;Rock &#8216;n&#8217; Roll&#8221; both share an acronym?).  Would you have thought to hear The Who on bells?  Well, the RRs have &#8220;Pinball Wizard.&#8221;  How about Kansas?  Yup, they&#8217;ve got &#8220;Carry on Wayward Son.&#8221;  In general, the arrangements are crisp and well translated.  Being pretty much oblivious to the pop music scene, I found most of these to be fun, but not particularly attention-grabbing.  Maybe if I could conjure fond memories of youthful rebellion to accompany these pieces, they&#8217;d stir me.  To each his own!</p>
<p>Overall, this is a great disc for handbell enthusiasts and those who haven&#8217;t yet caught the bug.  Better watch out, though &#8211; after a slice of the RRs, you&#8217;ll probably find yourself wanting&#8230; &#8220;More.&#8221;<br />
Rating: 5 / 5</p>
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